Cloud Pavilion
- Residential
Shortlisted memorial proposal for the 1871 Los Angeles Chinese Massacre.
Hairpin House looks to the undulations of a hairpin turning mountain road as navigational and spatial device within a constrained 19th century domestic interior.
Walls are shifted, drawn, and parted as a series of veils to calibrate light and access.
Facilitating growing density in suburban America through choreographed turns and displacements of circulation and views.
Adapting the visual and geometric language of Basquiat’s crown to generate a new housing typology.
Pivoting new choreographic and perceptual relationships around a curving stair.
Looking to theatrical fly rigging systems, motivated by an architectural envy for the stage and its ease of transformation.
Multiplying faces and frames to order an expansive exterior landscape.
An overloaded brief causes the deck itself to swallow the program, with seated and lounging postures woven in as warp and weft.
Fly Gallery looks to theatrical fly rigging systems, motivated by an architectural envy for the stage and its ease of transformation. Adapting the fly rig to a gallery space, a grid of translucent partitions descends from above. Spatial proportions and ceiling heights lower for children’s events, backdrops and raked ceilings emerge for projections and performances, light boxes descend for displays, and partitions touch down for new layouts. Functioning variously as spatial device and light modulator, the fly rigging scrim achieves and finely controls qualities of space and light to a degree normally only possible in larger museums with complex skylight and partition systems, while remaining under a budget of $50,000.
Spatial proportions and ceiling height arrangements for a range of users and functions