Cloud Pavilion
- Residential
Shortlisted memorial proposal for the 1871 Los Angeles Chinese Massacre.
Hairpin House looks to the undulations of a hairpin turning mountain road as navigational and spatial device within a constrained 19th century domestic interior.
Walls are shifted, drawn, and parted as a series of veils to calibrate light and access.
Facilitating growing density in suburban America through choreographed turns and displacements of circulation and views.
Adapting the visual and geometric language of Basquiat’s crown to generate a new housing typology.
Pivoting new choreographic and perceptual relationships around a curving stair.
Looking to theatrical fly rigging systems, motivated by an architectural envy for the stage and its ease of transformation.
Multiplying faces and frames to order an expansive exterior landscape.
An overloaded brief causes the deck itself to swallow the program, with seated and lounging postures woven in as warp and weft.
Within an overstuffed single-family residential neighborhood, Periscope House takes the periscope as its motivating force, choreographing turns and displacements of circulation and views within a tightly packed cubic volume. Curved walls and precise apertures gently reorient the body and the gaze to produce both extroverted views and introverted privacies, between exterior neighbors and interior occupants. The contradictory acts of turning within and looking afar, born of contradictory domestic desires, become linked ends of the periscope.
Illustration of a periscope from “Histoire de la Nation Francaise,” Sciences, Volumes I and II, by Gabriel Hanotaux
An exterior periscope shelters the main entrance while increasing square footage and providing expansive views over the Boston skyline.
Interior periscopes turn the body and the gaze, softening corners and channeling private views.
Worm’s-eye view diagram